Widzę, jak nieustannie, w każdej chwili rozpływam się, nie ma momentu, abym nie czuł, że tonę ~ Jan Kalwin

jamesmrdouglas:

The Slav Epic

catonhottinroof:
“Leonce J. V. de Joncieres (1871-1947)
Evening romance
”

catonhottinroof:

Leonce J. V. de Joncieres (1871-1947)

Evening romance

logija:
“(Gustav) Klimt in a light Blue Smock, 1913
by Egon Schiele
”

logija:

(Gustav) Klimt in a light Blue Smock, 1913

by Egon Schiele

nesskain:
“Simple.
”

nesskain:

Simple.

Hej, ten post może zawierać treści dla dorosłych, dlatego został ukryty.
Dowiedz się więcej.

Hej, ten post może zawierać treści dla dorosłych, dlatego został ukryty.

Dowiedz się więcej.

aureliapomponia:
“Alphonse Mucha
my favorite so far
”

aureliapomponia:

Alphonse Mucha


my favorite so far 

fawnvelveteen:
“Vintage Beauty
”

fawnvelveteen:

Vintage Beauty

untrustyou:
“ Nicholas Hawker
”

untrustyou:

Nicholas Hawker

socialid:

socialid:

designcloud:

The Abyss Table by Duffy London

This mesmerising table was first conceived by Christopher Duffy — and ultimately refined by the team at Duffy London — to represent a 3D geological map of an ocean floor. The Abyss Table makes use of contour lines, which are often used to denote topography in terrain maps, to render an island chain and ocean abyss.

Contour lines can be thought of as workaround for the 2D limitations of paper maps, but Duffy instead relished these simplifications which have become iconic imagery for the field of cartography. He incorporates layers of wood to represent the land, and panes of glass for the water, in order to produce a 3 dimensional geographical model.

(via Homeli)